Harvey [Blu-ray] review

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Harvey [Blu-ray]

Tower Heist [Blu-ray] (2011) review

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At the center of Tower Heist is a gleaming Ferrari once owned by Steve McQueen, and that's what the movie is: a sleek machine, tooled for speed. Josh Kovacs (Ben Stiller) manages a super-high-tech high-rise in the middle of Manhattan, catering to every need of the tower's residents, including financier Arthur Shaw (Alan Alda). When Shaw gets arrested by the FBI, Kovacs realizes that his staff's pensions, which he asked Shaw to invest, are lost, and when it looks like Shaw is going to get away with it, Kovacs pulls together a mismatched team (included Matthew Broderick, Casey Affleck, Michael Peña, Gabourey Sidibe, and Eddie Murphy) to steal the secret stash of cash that the FBI suspects Shaw must have. Tower Heist successfully tweaks all the character clichés just enough so that they are a smooth blend of the familiar and the unexpected. The plot zips along with purring efficiency, alternating predictable turns with surprising ones just enough to keep the pattern-seeking parts of the viewer's brain hooked. The cast--which also includes Téa Leoni as the lead FBI agent--charms without overdoing it. In essence, director Brett Ratner (the guy behind X-Men: The Last Stand and the Rush Hour series) has honed all of his sloppier tendencies and crafted a skillful piece of mass entertainment. Afterward, the movie's plot holes and defiance of the laws of physics may irritate, but while it's unfolding, Tower Heist is a smooth ride. --Bret Fetzer

Willy Wonka & the Chocolate Factory (Three-Disc 40th Anniversary Collector's Edition Blu-ray/DVD Combo) (1971) review

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Features include: •MPAA Rating: G •Format: Blu-Ray •Runtime: 100 minutes

Home Alone (Family Fun Edition) (1990) review

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Studio: Tcfhe Release Date: 10/14/2008 Run time: 113 minutes Rating: Pg

The Waterboy [Blu-ray] (1998) price

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WATERBOY - Blu-Ray Movie

The Big Year [Blu-ray] (2011) price

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Never get between a birder and a Pink-footed Goose. As we learn from The Big Year, the intensity of birders (the term birdwatcher is dismissed here as insufficiently committed) is not to be taken lightly, and their quest of rare species creates the gentle comedy of this film, which is based on a real phenomenon. In the world of birders, there's a goal set each calendar year, and based on the honor system: who can spot the most varieties of our feathered friends? All-time champ Kenny Bostick (Owen Wilson) is a legendary name in the birding game, and this year he's trying to beat his own record--but retired CEO Stu Preissler (Steve Martin) and slovenly upstart Brad Harris (Jack Black) are determined to topple the colorful and ruthless Bostick from his, er, perch. The movie's at its best when charting the movements of these obsessed enthusiasts in the wild, as they scramble from Alaska to Arizona to New Jersey in pursuit of their goal; it's less successful at trying to create human interest in the home lives of these guys. And despite the comedic talents of the main threesome, nobody really stands out; each plays to his usual persona without adding a new wrinkle. Director David Frankel (The Devil Wears Prada) has a weirdly overqualified supporting cast on his hands, but except for Rosamund Pike as Bostick's neglected wife and Rashida Jones as a geeky birder, most of these folks flit by with little to do: Brian Dennehy and Dianne Wiest as Brad's parents, Anjelica Huston as a salty sea captain, Tim Blake Nelson as an awestruck birder. It's easy enough to enjoy this film for its offbeat subject and mild-mannered tone, even if there isn't anything terribly distinctive about it. --Robert Horton

Annie Hall [Blu-ray] (1977) price

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Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk." Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is uncontestable he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater." The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson